Difference between revisions of "Kirara Magica Interview Shinbo Akiyuki"

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(Shinbo Akiyuki: Made grammar and spelling fixes.)
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|style="border-bottom:1px solid lightgrey"|'''Kirara''' What caused the development of the [[Madoka Magica Movie]]?
 
|style="border-bottom:1px solid lightgrey"|'''Kirara''' What caused the development of the [[Madoka Magica Movie]]?
 
|-
 
|-
|style="border-bottom:1px solid lightgrey"|'''Shinbo''' I originally planned to work on Season 2.  When we reviewed the sequel proposal by [[Gen Urobuchi]], however, we felt that the content are not enough to fill a full second season.  This is when producer [[Atsuhiro Iwakami]] suggested, "With this storyline, wouldn't a movie be better?"  From here it became, we need to connect the TV series with the new movie, so let's start with the compilations.
+
|style="border-bottom:1px solid lightgrey"|'''Shinbo''' I originally planned to work on Season 2.  When we reviewed the sequel proposal by [[Gen Urobuchi]], however, we felt that the content was not enough to fill a full second season.  This is when producer [[Atsuhiro Iwakami]] suggested, "With this storyline, wouldn't a movie be better?"  From here it became, we need to connect the TV series with the new movie, so let's start with the compilations.
 
|-
 
|-
|style="border-bottom:1px solid lightgrey"|'''Kirara''' Did you planned from the start to not just make a sequel, but also a compilation movie?  Or had you consider broadcasting a special edition on TV first?
+
|style="border-bottom:1px solid lightgrey"|'''Kirara''' Did you plan from the start to not just make a sequel, but also a compilation movie?  Or had you considered broadcasting a special edition on TV first?
 
|-
 
|-
|style="border-bottom:1px solid lightgrey"|'''Shinbo''' We didn't consider TV.  If the sequel was to be a movie, we need the full story in the theatre.  The staff never considered of making an TV compilation instead.
+
|style="border-bottom:1px solid lightgrey"|'''Shinbo''' We didn't consider TV.  If the sequel was to be a movie, we needed the full story in the theater.  The staff never considered making an TV compilation instead.
 
|-
 
|-
|style="border-bottom:1px solid lightgrey"|'''Kirara''' As the supervisor, what is your approach the series compilation?  Do you have an overarching concept in mind?
+
|style="border-bottom:1px solid lightgrey"|'''Kirara''' As the supervisor, what is your approach to the series compilation?  Do you have an overarching concept in mind?
 
|-
 
|-
 
|style="border-bottom:1px solid lightgrey"|'''Shinbo''' I don't have any special concept in mind.  For my generation, "Space Battleship Yamato (1974)" was definitely the cultural milestone.  So in some vague fashion, I want to make something like that.  There are plenty of examples for compilation movies.
 
|style="border-bottom:1px solid lightgrey"|'''Shinbo''' I don't have any special concept in mind.  For my generation, "Space Battleship Yamato (1974)" was definitely the cultural milestone.  So in some vague fashion, I want to make something like that.  There are plenty of examples for compilation movies.
Line 25: Line 25:
 
|style="border-bottom:1px solid lightgrey"|'''Kirara''' Like "Mobile Suit Gundam (1981)" and "Densetsu Kyojin Ideon (1982)"?
 
|style="border-bottom:1px solid lightgrey"|'''Kirara''' Like "Mobile Suit Gundam (1981)" and "Densetsu Kyojin Ideon (1982)"?
 
|-
 
|-
|style="border-bottom:1px solid lightgrey"|'''Shinbo''' Also "Homeless Remi (1977)" and "3000 Leagues in Search of Mother (1980)."  Many of these franchise left me strong impressions.  For a niche title to reach the big screens as a movie compilation, I think it is not bad.
+
|style="border-bottom:1px solid lightgrey"|'''Shinbo''' Also "Homeless Remi (1977)" and "3000 Leagues in Search of Mother (1980)."  Many of these franchises left me with strong impressions.  For a niche title to reach the big screens as a movie compilation, I think it is not bad.
 
|}
 
|}
 
|
 
|
Line 46: Line 46:
 
|style="border-bottom:1px solid lightgrey"|'''Kirara''' When did you really start working on the project?
 
|style="border-bottom:1px solid lightgrey"|'''Kirara''' When did you really start working on the project?
 
|-
 
|-
|style="border-bottom:1px solid lightgrey"|'''Shinbo''' Around the end of 2011;  I still remember editing the storyboard in the first month (of the lunar calendar).  I was working even during lunar new year's day (laughter)!
+
|style="border-bottom:1px solid lightgrey"|'''Shinbo''' Around the end of 2011;  I still remember editing the storyboard in the first month (of the lunar calendar).  I was working even during lunar New Year's Day (laughter)!
 
|-
 
|-
 
|style="border-bottom:1px solid lightgrey"|'''Kirara''' That's a bit too much (laughter)!  Was editing the storyboard the first step?
 
|style="border-bottom:1px solid lightgrey"|'''Kirara''' That's a bit too much (laughter)!  Was editing the storyboard the first step?
 
|-
 
|-
|style="border-bottom:1px solid lightgrey"|'''Shinbo''' Not quite.  First, I worked with Miss [[Rie Matsuhara]], editor for the compilation movies, to create a compilation outline.  From this outline, we tried to improve weak parts, smooth out any conflicting points, and eliminate unnecessary scenes.  Just trying to get everything right.  It's an editing as we watch it feel, scene by scene.  The final product is put together this way.
+
|style="border-bottom:1px solid lightgrey"|'''Shinbo''' Not quite.  First, I worked with Ms. [[Rie Matsuhara]], editor for the compilation movies, to create a compilation outline.  From this outline, we tried to improve weak parts, smooth out any conflicting points, and eliminate unnecessary scenes.  Just trying to get everything right.  It's an editing as we watch it feel, scene by scene.  The final product is put together this way.
 
|-
 
|-
 
|style="border-bottom:1px solid lightgrey"|'''Kirara''' For the compilation movies, the editor has quite a heavy responsibility.
 
|style="border-bottom:1px solid lightgrey"|'''Kirara''' For the compilation movies, the editor has quite a heavy responsibility.
 
|-
 
|-
|style="border-bottom:1px solid lightgrey"|'''Shinbo''' Definitely.  Thanks to miss Miss Rie, the project proceed smoothly.
+
|style="border-bottom:1px solid lightgrey"|'''Shinbo''' Definitely.  Thanks to miss Ms. Rie, the project proceed smoothly.
 
|-
 
|-
|style="border-bottom:1px solid lightgrey"|'''Kirara''' While we are at it, I want to ask about the supervisor - have you ever produced a compilation of your own TV series before?
+
|style="border-bottom:1px solid lightgrey"|'''Kirara''' While we are at it, I want to ask the supervisor - have you ever produced a compilation of your own TV series before?
 
|-
 
|-
 
|style="border-bottom:1px solid lightgrey"|'''Shinbo''' This is my first time.
 
|style="border-bottom:1px solid lightgrey"|'''Shinbo''' This is my first time.
Line 66: Line 66:
 
|style="border-bottom:1px solid lightgrey"|'''Kirara''' This is a surprise!
 
|style="border-bottom:1px solid lightgrey"|'''Kirara''' This is a surprise!
 
|-
 
|-
|style="border-bottom:1px solid lightgrey"|'''Shinbo''' Even though this was ancient history, before working on the "Soreyuke! Uchuu Senkan Yamamoto Yohko II (1997)" OVA, I was asked to make the Season 1 compilation.  I instantly rejected the offer and suggested someone else (forced laughter).  I feel uninspired working on these type of editing work.  I always felt, "need to splice this scene, got to add this angle."  With existing footage, I am helpless with these ideas.
+
|style="border-bottom:1px solid lightgrey"|'''Shinbo''' Even though this was ancient history, before working on the "Soreyuke! Uchuu Senkan Yamamoto Yohko II (1997)" OVA, I was asked to make the Season 1 compilation.  I instantly rejected the offer and suggested someone else (forced laughter).  I feel uninspired working on this type of editing work.  I always felt, "need to splice this scene, got to add this angle."  With existing footage, I am helpless with these ideas.
 
|-
 
|-
 
|style="border-bottom:1px solid lightgrey"|'''Kirara''' Sounds like this is a new challenge to the supervisor.
 
|style="border-bottom:1px solid lightgrey"|'''Kirara''' Sounds like this is a new challenge to the supervisor.
 
|-
 
|-
|style="border-bottom:1px solid lightgrey"|'''Shinbo''' Yes.  However, I have Miss Rie to lead the way (laughter).
+
|style="border-bottom:1px solid lightgrey"|'''Shinbo''' Yes.  However, I have Ms. Rie to lead the way (laughter).
 
|-
 
|-
|style="border-bottom:1px solid lightgrey"|'''Kirara''' In interviews, you often bring up Rie Matsuhara, Kazuhiko Seki (Editor, Sayonara Zetsubou Sensei) and such editors.
+
|style="border-bottom:1px solid lightgrey"|'''Kirara''' In interviews, you often bring up Rie Matsuhara, Kazuhiko Seki (Editor, ''Sayonara Zetsubou Sensei'') and such editors.
 
|-
 
|-
|style="border-bottom:1px solid lightgrey"|'''Shinbo''' Because series editing is a very important job.  It's up to the editor to build cohesion within a piece of work.  In some ways, editing can be consider the most important part of a project.  Additionally, sometimes I will force in some shots that doesn't really obviously connect.  If they do make sense, it's really to the editor's credit.  I feel a work's cohesion is largely dependent on the editor.
+
|style="border-bottom:1px solid lightgrey"|'''Shinbo''' Because series editing is a very important job.  It's up to the editor to build cohesion within a piece of work.  In some ways, editing can be considered the most important part of a project.  Additionally, sometimes I will force in some shots that don't really obviously connect.  If they do make sense, it's really to the editor's credit.  I feel a work's cohesion is largely dependent on the editor.
 
|}
 
|}
 
|
 
|
Line 90: Line 90:
 
|align="right"|<small>'''Toggle original text:'''</small>
 
|align="right"|<small>'''Toggle original text:'''</small>
 
|-
 
|-
|style="border-bottom:1px solid lightgrey"|'''Anticipated elements of the Madoka Magic Movie'''
+
|style="border-bottom:1px solid lightgrey"|'''Anticipated elements of the Madoka Magica Movie'''
 
|-
 
|-
 
|style="border-bottom:1px solid lightgrey"|'''Kirara''' Do you plan to add any new sequences?  Redraw existing scenes?  The fans are eager to find out what you might do.
 
|style="border-bottom:1px solid lightgrey"|'''Kirara''' Do you plan to add any new sequences?  Redraw existing scenes?  The fans are eager to find out what you might do.
Line 96: Line 96:
 
|style="border-bottom:1px solid lightgrey"|'''Shinbo''' If we need new scenes to connect sequences together, we'll draw them.  Most scenes through wouldn't see much changes.  On the other hand, voice acting will be re-recorded, as well as the soundtrack.
 
|style="border-bottom:1px solid lightgrey"|'''Shinbo''' If we need new scenes to connect sequences together, we'll draw them.  Most scenes through wouldn't see much changes.  On the other hand, voice acting will be re-recorded, as well as the soundtrack.
 
|-
 
|-
|style="border-bottom:1px solid lightgrey"|'''Kirara''' So we can look forward to the higher fidelity sound in the theatre?
+
|style="border-bottom:1px solid lightgrey"|'''Kirara''' So we can look forward to the higher-fidelity sound in the theater?
 
|-
 
|-
 
|style="border-bottom:1px solid lightgrey"|'''Shinbo''' I plan to redo the original soundtrack in 5.1 surround sound, as well as add new pieces.  Additionally in the [[Witch]] sequences, I want to merge the sound and [[runes]] into one form, while retaining [[Gekidan Inu Curry]]'s unique visual presentation.  Hopefully this will change the impression slightly.
 
|style="border-bottom:1px solid lightgrey"|'''Shinbo''' I plan to redo the original soundtrack in 5.1 surround sound, as well as add new pieces.  Additionally in the [[Witch]] sequences, I want to merge the sound and [[runes]] into one form, while retaining [[Gekidan Inu Curry]]'s unique visual presentation.  Hopefully this will change the impression slightly.
 
|-
 
|-
|style="border-bottom:1px solid lightgrey"|'''Kirara''' What about the Seiyuu side of it?'''
+
|style="border-bottom:1px solid lightgrey"|'''Kirara''' What about the ''seiyuu'' side of it?'''
 
|-
 
|-
|style="border-bottom:1px solid lightgrey"|'''Shinbo''' Most voice acting are re-recorded, except for some parts of [[Episode 10]].  I am somewhat hesitant on whether to keep the original TV recording for that episode.  This work was built on voice acting.  Superb voice acting doesn't really need to be redone.  Furthermore, with all other parts re-recorded, the contrast will highlight how special Episode 10 is.  Right now, the biggest uncertainty is whether to redo Episode 10.
+
|style="border-bottom:1px solid lightgrey"|'''Shinbo''' Most voice acting was re-recorded, except for some parts of [[Episode 10]].  I am somewhat hesitant on whether to keep the original TV recording for that episode.  This work was built on voice acting.  Superb voice acting doesn't really need to be redone.  Furthermore, with all other parts re-recorded, the contrast will highlight how special Episode 10 is.  Right now, the biggest uncertainty is whether to redo Episode 10.
 
|-
 
|-
|style="border-bottom:1px solid lightgrey"|'''Kirara''' Besides yourself and miss Rie, who else are working on this project?
+
|style="border-bottom:1px solid lightgrey"|'''Kirara''' Besides yourself and Ms. Rie, who else are working on this project?
 
|-
 
|-
 
|style="border-bottom:1px solid lightgrey"|'''Shinbo''' Production is headed by the TV series director [[Yukihiro Miyamoto]], because the atmosphere of the series wouldn't see significant changes.  Still, each performance will inevitably bring about slightly different pacing and atmosphere, creating a conflicting feeling.  To remove this, we need Mr. Miyamoto to make the necessary adjustments (the timings of animation, special effect directions, design type stuff).
 
|style="border-bottom:1px solid lightgrey"|'''Shinbo''' Production is headed by the TV series director [[Yukihiro Miyamoto]], because the atmosphere of the series wouldn't see significant changes.  Still, each performance will inevitably bring about slightly different pacing and atmosphere, creating a conflicting feeling.  To remove this, we need Mr. Miyamoto to make the necessary adjustments (the timings of animation, special effect directions, design type stuff).
Line 110: Line 110:
 
|style="border-bottom:1px solid lightgrey"|'''Kirara''' As Supervisor, do you plan to bring a different style or meaning from the TV version?
 
|style="border-bottom:1px solid lightgrey"|'''Kirara''' As Supervisor, do you plan to bring a different style or meaning from the TV version?
 
|-
 
|-
|style="border-bottom:1px solid lightgrey"|'''Shinbo''' There'll be some difference between TV and theatrical version, but my focus is to avoid making our original fans uncomfortable.  Because it's an special activity, even if the theatrical presentation and style are not obvious, it would be good enough for the job.  Instead of highlighting the theatrical style, what's important is to focus on the Madoka Magica's style.  I do believe this type of work will be the best.
+
|style="border-bottom:1px solid lightgrey"|'''Shinbo''' There'll be some difference between the TV and theatrical versions, but my focus is to avoid making our original fans uncomfortable.  Because it's an special activity, even if the theatrical presentation and style are not obvious, it would be good enough for the job.  Instead of highlighting the theatrical style, what's important is to focus on ''Madoka Magica'''s style.  I do believe this type of work will be the best.
 
|}
 
|}
 
|
 
|
Line 128: Line 128:
 
|style="border-bottom:1px solid lightgrey"|'''Madoka Magica's inspiration and legacy'''
 
|style="border-bottom:1px solid lightgrey"|'''Madoka Magica's inspiration and legacy'''
 
|-
 
|-
|style="border-bottom:1px solid lightgrey"|'''Kirara''' Wrapping up, Madoka Magica has quite an impact since release.  Again, what does this franchise mean to you?
+
|style="border-bottom:1px solid lightgrey"|'''Kirara''' Wrapping up, ''Madoka Magica'' has quite an impact since release.  Again, what does this franchise mean to you?
 
|-
 
|-
|style="border-bottom:1px solid lightgrey"|'''Shinbo''' Through working on this project, I gained many new experiences.  For example, this was my first work to be spoofed, and I truly enjoy all the [[fanworks]].  If we include everything that came out, this series probably has had the greatest impact that I worked on.  We had some oba-sans that lived near the studio.  When they saw the studio posters, they said "Oh, it's Homura!"  For my work to have such wide spread recognition, I am overjoyed!
+
|style="border-bottom:1px solid lightgrey"|'''Shinbo''' Through working on this project, I gained many new experiences.  For example, this was my first work to be spoofed, and I truly enjoy all the [[fanworks]].  If we include everything that came out, this series probably has had the greatest impact that I worked on.  We had some grannies that lived near the studio.  When they saw the studio posters, they said "Oh, it's Homura!"  For my work to have such widespread recognition, I am overjoyed!
 
|-
 
|-
|style="border-bottom:1px solid lightgrey"|'''Kirara''' Do you felt pressured that now you have a larger audience?
+
|style="border-bottom:1px solid lightgrey"|'''Kirara''' Do you feel pressured now that you have a larger audience?
 
|-
 
|-
|style="border-bottom:1px solid lightgrey"|'''Shinbo''' It really is a sigh of relieve, because creating an original work already has significant pressure.  If it had failed, people may consider original magical girl genre as not viable.  Not only that, it may also make pitching future anime original more difficult as well.  Not being a dud gave me a sigh of relieve.  At least I didn't kill off this genre.  Previous to Madoka Magica, I made the anime original "Le Portrait de Petit Cossette."  That ended without much of exposure.  With that experience, the popularity of this work made me really happy.
+
|style="border-bottom:1px solid lightgrey"|'''Shinbo''' It really is a sigh of relief, because creating an original work already has significant pressure.  If it had failed, people may consider the original magical girl genre as not viable.  Not only that, it may also make pitching future original anime more difficult as well.  Not being a dud gave me a sigh of relief.  At least I didn't kill off this genre.  Previous to ''Madoka Magica'', I made the original anime "Le Portrait de Petit Cossette."  That ended without much exposure.  With that experience, the popularity of this work made me really happy.
 
|-
 
|-
|style="border-bottom:1px solid lightgrey"|'''Kirara''' To have consequences for the entire genre, must be scary to be the creative mind behind an anime original.
+
|style="border-bottom:1px solid lightgrey"|'''Kirara''' To have consequences for the entire genre, must be scary to be the creative mind behind an original anime.
 
|-
 
|-
|style="border-bottom:1px solid lightgrey"|'''Shinbo''' ANIPLEX's "Ano Hana (2011)" was also very successful.  With the success of these types of original works, everyone will want to try making their own.  This is a great trend.  Besides relieve, it also made me a bit self conscious.
+
|style="border-bottom:1px solid lightgrey"|'''Shinbo''' ANIPLEX's "Ano Hana (2011)" was also very successful.  With the success of these types of original works, everyone will want to try making their own.  This is a great trend.  Besides relief, it also made me a bit self-conscious.
 
|-
 
|-
 
|style="border-bottom:1px solid lightgrey"|'''Kirara''' Success made the movie possible, so you must be very grateful?
 
|style="border-bottom:1px solid lightgrey"|'''Kirara''' Success made the movie possible, so you must be very grateful?
 
|-
 
|-
|style="border-bottom:1px solid lightgrey"|'''Shinbo''' If we can continue this, I want to keep going.  I want to discover the big direction in animation.  I also want to expand the Madoka Magica franchise a bit more.  For all this, I have to work hard to complete the Madoka Magica Movie.  That's all.
+
|style="border-bottom:1px solid lightgrey"|'''Shinbo''' If we can continue this, I want to keep going.  I want to discover the big direction in animation.  I also want to expand the ''Madoka Magica'' franchise a bit more.  For all this, I have to work hard to complete the ''Madoka Magica'' Movie.  That's all.
 
|}
 
|}
 
|
 
|

Revision as of 00:49, 15 December 2012

Shinbo Akiyuki

Translated from Chinese source http://www.xdmhy.info/read.php?tid-1468431.html

Toggle original text:
From Season 2 to movie trilogy, this was how it started.
Kirara What caused the development of the Madoka Magica Movie?
Shinbo I originally planned to work on Season 2. When we reviewed the sequel proposal by Gen Urobuchi, however, we felt that the content was not enough to fill a full second season. This is when producer Atsuhiro Iwakami suggested, "With this storyline, wouldn't a movie be better?" From here it became, we need to connect the TV series with the new movie, so let's start with the compilations.
Kirara Did you plan from the start to not just make a sequel, but also a compilation movie? Or had you considered broadcasting a special edition on TV first?
Shinbo We didn't consider TV. If the sequel was to be a movie, we needed the full story in the theater. The staff never considered making an TV compilation instead.
Kirara As the supervisor, what is your approach to the series compilation? Do you have an overarching concept in mind?
Shinbo I don't have any special concept in mind. For my generation, "Space Battleship Yamato (1974)" was definitely the cultural milestone. So in some vague fashion, I want to make something like that. There are plenty of examples for compilation movies.
Kirara Like "Mobile Suit Gundam (1981)" and "Densetsu Kyojin Ideon (1982)"?
Shinbo Also "Homeless Remi (1977)" and "3000 Leagues in Search of Mother (1980)." Many of these franchises left me with strong impressions. For a niche title to reach the big screens as a movie compilation, I think it is not bad.
Kirara Magica Vol 1 08.jpg
Toggle original text:
The birth of the compilation

the importance of the sequel

Kirara When did you really start working on the project?
Shinbo Around the end of 2011; I still remember editing the storyboard in the first month (of the lunar calendar). I was working even during lunar New Year's Day (laughter)!
Kirara That's a bit too much (laughter)! Was editing the storyboard the first step?
Shinbo Not quite. First, I worked with Ms. Rie Matsuhara, editor for the compilation movies, to create a compilation outline. From this outline, we tried to improve weak parts, smooth out any conflicting points, and eliminate unnecessary scenes. Just trying to get everything right. It's an editing as we watch it feel, scene by scene. The final product is put together this way.
Kirara For the compilation movies, the editor has quite a heavy responsibility.
Shinbo Definitely. Thanks to miss Ms. Rie, the project proceed smoothly.
Kirara While we are at it, I want to ask the supervisor - have you ever produced a compilation of your own TV series before?
Shinbo This is my first time.
Kirara Ah, so it's like this.
Shinbo Honestly, not my area of expertise.
Kirara This is a surprise!
Shinbo Even though this was ancient history, before working on the "Soreyuke! Uchuu Senkan Yamamoto Yohko II (1997)" OVA, I was asked to make the Season 1 compilation. I instantly rejected the offer and suggested someone else (forced laughter). I feel uninspired working on this type of editing work. I always felt, "need to splice this scene, got to add this angle." With existing footage, I am helpless with these ideas.
Kirara Sounds like this is a new challenge to the supervisor.
Shinbo Yes. However, I have Ms. Rie to lead the way (laughter).
Kirara In interviews, you often bring up Rie Matsuhara, Kazuhiko Seki (Editor, Sayonara Zetsubou Sensei) and such editors.
Shinbo Because series editing is a very important job. It's up to the editor to build cohesion within a piece of work. In some ways, editing can be considered the most important part of a project. Additionally, sometimes I will force in some shots that don't really obviously connect. If they do make sense, it's really to the editor's credit. I feel a work's cohesion is largely dependent on the editor.
Kirara Magica Vol 1 09.jpg
Toggle original text:
Anticipated elements of the Madoka Magica Movie
Kirara Do you plan to add any new sequences? Redraw existing scenes? The fans are eager to find out what you might do.
Shinbo If we need new scenes to connect sequences together, we'll draw them. Most scenes through wouldn't see much changes. On the other hand, voice acting will be re-recorded, as well as the soundtrack.
Kirara So we can look forward to the higher-fidelity sound in the theater?
Shinbo I plan to redo the original soundtrack in 5.1 surround sound, as well as add new pieces. Additionally in the Witch sequences, I want to merge the sound and runes into one form, while retaining Gekidan Inu Curry's unique visual presentation. Hopefully this will change the impression slightly.
Kirara What about the seiyuu side of it?
Shinbo Most voice acting was re-recorded, except for some parts of Episode 10. I am somewhat hesitant on whether to keep the original TV recording for that episode. This work was built on voice acting. Superb voice acting doesn't really need to be redone. Furthermore, with all other parts re-recorded, the contrast will highlight how special Episode 10 is. Right now, the biggest uncertainty is whether to redo Episode 10.
Kirara Besides yourself and Ms. Rie, who else are working on this project?
Shinbo Production is headed by the TV series director Yukihiro Miyamoto, because the atmosphere of the series wouldn't see significant changes. Still, each performance will inevitably bring about slightly different pacing and atmosphere, creating a conflicting feeling. To remove this, we need Mr. Miyamoto to make the necessary adjustments (the timings of animation, special effect directions, design type stuff).
Kirara As Supervisor, do you plan to bring a different style or meaning from the TV version?
'Shinbo There'll be some difference between the TV and theatrical versions, but my focus is to avoid making our original fans uncomfortable. Because it's an special activity, even if the theatrical presentation and style are not obvious, it would be good enough for the job. Instead of highlighting the theatrical style, what's important is to focus on Madoka Magicas style. I do believe this type of work will be the best.
Kirara Magica Vol 1 10.jpg
Toggle original text:
Madoka Magica's inspiration and legacy
Kirara Wrapping up, Madoka Magica has quite an impact since release. Again, what does this franchise mean to you?
Shinbo Through working on this project, I gained many new experiences. For example, this was my first work to be spoofed, and I truly enjoy all the fanworks. If we include everything that came out, this series probably has had the greatest impact that I worked on. We had some grannies that lived near the studio. When they saw the studio posters, they said "Oh, it's Homura!" For my work to have such widespread recognition, I am overjoyed!
Kirara Do you feel pressured now that you have a larger audience?
Shinbo It really is a sigh of relief, because creating an original work already has significant pressure. If it had failed, people may consider the original magical girl genre as not viable. Not only that, it may also make pitching future original anime more difficult as well. Not being a dud gave me a sigh of relief. At least I didn't kill off this genre. Previous to Madoka Magica, I made the original anime "Le Portrait de Petit Cossette." That ended without much exposure. With that experience, the popularity of this work made me really happy.
Kirara To have consequences for the entire genre, must be scary to be the creative mind behind an original anime.
Shinbo ANIPLEX's "Ano Hana (2011)" was also very successful. With the success of these types of original works, everyone will want to try making their own. This is a great trend. Besides relief, it also made me a bit self-conscious.
Kirara Success made the movie possible, so you must be very grateful?
Shinbo If we can continue this, I want to keep going. I want to discover the big direction in animation. I also want to expand the Madoka Magica franchise a bit more. For all this, I have to work hard to complete the Madoka Magica Movie. That's all.
Kirara Magica Vol 1 10.jpg