User:0x99/Notes/WR
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Theaters around Tokyo
| Theater | Screen | Screen Type | Projector(s) | Comment |
|---|---|---|---|---|
| TOHO Cinemas Hibiya | Screen 4 | IMAX (325 seats) | Barco (Laser, IMAX) | Less about the screen itself but sound mastering in IMAX version is a bit unfortunate |
| TOHO Cinemas Hibiya | Screen 9 | Medium auditorium (251 seats) | Barco (Laser, 2K?) | Good color reproduction. |
| GDCS | Screen 12 | IMAX GT (542 seats) | Barco (Laser, IMAX GT) | It's IMAX GT. That bit about sound mastering still applies here though. |
| Cinecitta | Screen 8 | LIVE ZOUND (532 seats) | Christie (Laser, 4K) | Excellent color reproduction. Custom audio mix tuned by Youta Tsuruoka (the sound director of the show). One of the best places to watch, especially if you prefer big screen (downside is that Cinecitta is in Kanagawa). |
| Wald 9 | Screen 4 | Small auditorium (80 seats) | NEC? (Xenon?, 4K) | Color reproduction is not too bad; equipment is probably similar to screen 7 but screen maintenance could be better and there's wavy lines in the brighter scenes. |
| Wald 9 | Screen 6 | Dolby Cinema (387 seats) | Christie (Laser, 4K) | Dolby Atmos-only version is excellent, but Dolby Cinema version seems to have some broken EOTF in some of the brighter scenes (gray-ish skin tone, etc). Not sure if it's Wald 9 specific or in general. Still worth a watch, though. |
| Wald 9 | Screen 7 | Small auditorium (80 seats) | NEC? (Xenon?, 4K) | Similar to screen 4 but seems better maintained. Would actually prefer this over Screen 9. |
| Wald 9 | Screen 8 | Medium auditorium (251 seats) | NEC? (Xenon?, 4K) | Quite OK color reproduction. |
| Wald 9 | Screen 9 | Large auditorium (429 seats) | NEC? (Xenon?, 4K?) | Sad color reproduction. The screen is also very dimmed. Sound seems a bit better than the rest (non-Dolby). |
| 109 Cinemas Premium Shinjuku | Screen 1 | Premium theater (68 seats) | Christie (Laser, 4K) | Excellent color reproduction and excellent image quality. Probably one of the best places to watch Walpurgisnacht: Rising. (Although I still like Dolby Atmos better for sound, and ticket is also very expensive). |
| 109 Cinemas Premium Shinjuku | Screen 2 | Premium theater (88 seats) | Christie (Laser, 4K) | Same as screen 1 but slightly larger. I think the sound may be slightly better tuned on this one. (Ticket still expensive). |
| TOHO Cinemas Shinjuku | Screen 2 | MX4D (110 seats) | Barco? (Laser?, 2K) | Standard TOHO screen, 4D is not really my thing |
| TOHO Cinemas Shibuya | Screen 4 | Small auditorium (117 seats) | ? | Maximum suffering. Screen is bad (yellow-ish), sound is bad, my back hurts. Nobody should suffer themselves with this screen. |
?is my guess:- TOHO is known to use Barco (TOHOシネマズ様へ累計232式のバルコ製レーザープロジェクターを納入)
- Wald 9 has announced when they open back in 2007 that they were using NEC DLP Cinema; they have been retrofitting their equipments since (e.g. screen 9 is now Dolby Cinema, so Christie) (新宿初のシネコン「新宿バルト9」、オープニング作品決定)
- IMAX has been exclusively using Barco for a while (their recent renew: New agreement between IMAX and Barco to further collaborate on cutting-edge laser light source technology worldwide)
- Dolby Cinema exclusively uses Christie (their recent renew: Dolby and Christie renew collaboration)
- 109 Cinemas Premium Shinjuku uses Christie CP4450-RGB and Christie CP4435-RGB
- Cinecitta uses Christie CP4330-RGB
- 2023年6月版 東京23区内シネコンの4Kプロジェクター導入スクリーンだ！ says that all Wald 9 screens are all 4K. I have no ideas why is their image quality worse than TOHO Cinemas' 2K screens…
- Supposedly 109 Cinemas Premium Shinjuku uses Christie CP4450-RGB and Christie CP4435-RGB while Cinecitta uses Christie CP4330-RGB. I still think 109 Cinemas Premium Shinjuku gave better impression (i.e. "sharper") because the screen size is similar to that of medium-sized auditorium versus a much larger one in Citta.
Script revision
- This is some thought experiment/research about what may have been original script and what may have been a revised part.
- I'm not sure if we'll ever get enough confirmation of which is which, so this will remains on my user page for a (long) while.
- We have confirmation that there are A-E parts, A-C are inferred from production materials shown in Kyomaf 2026, D-E are a guess. The scene where background are shown in Kyomaf 2026 and labelled with Part are marked
[A],[B],[C]below (these are anchors).- Avant is probably part of A.
- After credits is probably part of E.
| Scene | Description | |
|---|---|---|
| Before title (Avant) | ||
| Girl A | ||
| Part A | ||
| Girl A waking up / Mami/Kyoko/Sayaka/Homura | ||
| [A] Madoka going to school / Wasu's appearance |
| |
| [A] Wasu/Choka/Selema stopping Homura from making temporarily Magical Girl | ||
| Part B | ||
| Selema's amusement park |
| |
| [B] Choka's floating cafe | ||
| Madoka's residence / Wasu vs. Homura |
| |
| [B] Nameless Star |
| |
| Sayaka Meeting / Sayaka vs. Homura | ||
| Cake | ||
| Part C | ||
| Sayaka/Homura visiting Nazukasokotsune | ||
| [C] Madoka following Choka |
| |
| Wasu coming back, confronts Homura |
| |
| [1h mark around here] | ||
| Kyoko vs. Choka |
| |
| Homura vs. Wasu |
| |
| Selema & Madoka | ||
| Part D? | ||
| Kriemhild Gretchen | ||
| Nagisa + Sayaka convo |
| |
| Marguerite's flashback |
| |
| Everyone vs. Quitterie |
| |
| Madoka hugging Wasu/Maguerite |
| |
| Part E? | ||
| Crucifixion / Law of Cycles |
| |
| Fortress Mitakihara |
| |
| Madoka's tears |
| |
| After credits | ||
| QB | ||