Talk:Translated Official Documents/Archive 2: Difference between revisions

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File:Img4.jpg|Source: Megami, April 2011.  '''Moved to Megami page with translation.'''
File:Img4.jpg|Source: Megami, April 2011.  '''Moved to Megami page with translation.'''
File:Img8.jpg|Source: Nyantype 17, April 2011. '''Moved to Nyantype page'''
File:Img8.jpg|Source: Nyantype 17, April 2011. '''Moved to Nyantype page'''
File:Img9.jpg|Source: Yomuiri Shimbun evening edition, March 2, 2011.  Urobuchi, "At first, I was aware of the intention of off-guarded surprise."  "I was asked for the unforeseeable cruel tone, thus even if the cover is 'mahou shoujo', inside is 'operation-as-usual' of myself."  About QB: "There is no malicious intent, but his moral value is fundamentally different from human. Way of confronting something different in kind is one of focus of the story that I'm thinking of."  "I want to end this series with the story of DREAM AND HOPE, but I don't know if watchers will accept it that way."  Source: [http://animapple.blogspot.com/2011/03/madoka-yumiuri-newspaper-urobuchi.html]
File:Img9.jpg|Source: Yomuiri Shimbun evening edition, March 2, 2011.  Urobuchi, "At first, I was aware of the intention of off-guarded surprise."  "I was asked for the unforeseeable cruel tone, thus even if the cover is 'mahou shoujo', inside is 'operation-as-usual' of myself."  About QB: "There is no malicious intent, but his moral value is fundamentally different from human. Way of confronting something different in kind is one of focus of the story that I'm thinking of."  "I want to end this series with the story of DREAM AND HOPE, but I don't know if watchers will accept it that way."  Source: [http://animapple.blogspot.com/2011/03/madoka-yumiuri-newspaper-urobuchi.html] '''Moved to Newspaper page'''
File:Img10.jpg|Unconfirmed TL: Orico Magica Main highlight is on Kyouko and Mami in a different angle from the anime
File:Img10.jpg|Unconfirmed TL: Orico Magica Main highlight is on Kyouko and Mami in a different angle from the anime
File:Large_scan_left.JPG|Source: Megami, April 2011 '''Moved to Megami page'''
File:Large_scan_left.JPG|Source: Megami, April 2011 '''Moved to Megami page'''
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File:Staffcomments2.jpg|Replaced by composite scan and  '''Moved to NyanType May page'''
File:Staffcomments2.jpg|Replaced by composite scan and  '''Moved to NyanType May page'''
File:1301482226352.jpg|Source: Megami, May 2011.  ※Urobuchi’s column.  I don’t want to show Mami’s terrible way of dying. That sense of the evanescence was important. I want to tell, “If they make even a mistake they become so”. And that way of expression is necessary to show that Mami will never revive.  '''Moved to Megami page'''
File:1301482226352.jpg|Source: Megami, May 2011.  ※Urobuchi’s column.  I don’t want to show Mami’s terrible way of dying. That sense of the evanescence was important. I want to tell, “If they make even a mistake they become so”. And that way of expression is necessary to show that Mami will never revive.  '''Moved to Megami page'''
File:1301482539366.jpg
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File:Scan-1302351780496.jpg|This scan reveals that the swallowing sound Kyuubey made after eating his corpse was an ad-lib.<br />Urobuchi: I want miyamoto-san to say "Kyuppui" when he finished eating. That was an ad-lib by Kato(Emiri)-san who is voice actor(Seiyu) as Kyubey.<br />Shinbou: I think Kato-san was also suitable post(voice) (as Kyubey).<br />Urobuch: It is rare that villain's voice is cute.  '''Moved to Otona Anime page.'''
File:Scan-1302351780496.jpg|This scan reveals that the swallowing sound Kyuubey made after eating his corpse was an ad-lib.<br />Urobuchi: I want miyamoto-san to say "Kyuppui" when he finished eating. That was an ad-lib by Kato(Emiri)-san who is voice actor(Seiyu) as Kyubey.<br />Shinbou: I think Kato-san was also suitable post(voice) (as Kyubey).<br />Urobuch: It is rare that villain's voice is cute.  '''Moved to Otona Anime page.'''
File:Scan-1302511400606.jpg|Source: Otona Anime Vol. 20.  ある程度やった人が生活ものに流れていく気持ちが分かりますね<br >I understand who works (around animation) somehow a long time trends(wants) to draw stories among usual days. '''Moved to Otona Anime page.'''
File:Scan-1302511400606.jpg|Source: Otona Anime Vol. 20.  ある程度やった人が生活ものに流れていく気持ちが分かりますね<br >I understand who works (around animation) somehow a long time trends(wants) to draw stories among usual days. '''Moved to Otona Anime page.'''
File:Scan-1302534251923.jpg|Source:  Animage, May 2011.  Everybody Loves Kyubey<br>Kyubey, a character surrounded by mysteries whose extraordinary existence casts a shadow over the drama. His backstory seems to play an important role in the story, he gets shot full of holes and toyed around with. Not like a magical girl mascot, is his harsh treatment proof of his popularity? Maybe.  
File:Scan-1302534251923.jpg|Source:  Animage, May 2011.  Everybody Loves Kyubey<br>Kyubey, a character surrounded by mysteries whose extraordinary existence casts a shadow over the drama. His backstory seems to play an important role in the story, he gets shot full of holes and toyed around with. Not like a magical girl mascot, is his harsh treatment proof of his popularity? Maybe. '''Moved to Animage page'''
File:Scan-1302497011788.jpg
File:Scan-1302497011788.jpg
File:Scan-1302358251771.jpg
File:Scan-1302358251771.jpg
File:Newspaper-ad.jpg|Aniplex placed a full page ad in Yomiuri Shimbun (largest newspaper circulation in the[http://en.wikipedia.org/wiki/Yomiuri_Shimbun world]) which 2ch sources estimate an expenditure of 49,455,000yen (approximately 600K USD). There were reports that Yomiuri Shimbun [http://headlines.yahoo.co.jp/hl?a=20110421-00000006-jct-ent sold out] in many places because of this ad.  
File:Newspaper-ad.jpg|Aniplex placed a full page ad in Yomiuri Shimbun (largest newspaper circulation in the[http://en.wikipedia.org/wiki/Yomiuri_Shimbun world]) which 2ch sources estimate an expenditure of 49,455,000yen (approximately 600K USD). There were reports that Yomiuri Shimbun [http://headlines.yahoo.co.jp/hl?a=20110421-00000006-jct-ent sold out] in many places because of this ad. '''Moved to Newspaper page'''
File:Producer.jpg|Source: Megami, June 2011.  According to [http://animapple.blogspot.com/2011/04/madoka-bot-just-shinbo-and-urobuchi-but.html], this article is about Producer Iwakami showing interest in a season 2 of Madoka.  Exact translation from symbv of evageeks forum: Since I also want to see it, I am too happy to work for a sequel.  Q - Because of its high popularity, there are some voices saying they want to see PMMM become a series.  Iwagami - If everyone in "Magica Quartet" is doing it, then I am happy to do it. As I want to see it too (lol) There is also a feeling in myself that I want to do it. So if we are going to take the next step, then the question is what kind of contents we want to do.... There is still nothing concrete at all now. But the expectation of fans has set a high hurdle. Perhaps we need to lower it a bit first (lol)  '''Moved to Megami page.'''
File:Producer.jpg|Source: Megami, June 2011.  According to [http://animapple.blogspot.com/2011/04/madoka-bot-just-shinbo-and-urobuchi-but.html], this article is about Producer Iwakami showing interest in a season 2 of Madoka.  Exact translation from symbv of evageeks forum: Since I also want to see it, I am too happy to work for a sequel.  Q - Because of its high popularity, there are some voices saying they want to see PMMM become a series.  Iwagami - If everyone in "Magica Quartet" is doing it, then I am happy to do it. As I want to see it too (lol) There is also a feeling in myself that I want to do it. So if we are going to take the next step, then the question is what kind of contents we want to do.... There is still nothing concrete at all now. But the expectation of fans has set a high hurdle. Perhaps we need to lower it a bit first (lol)  '''Moved to Megami page.'''
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===May 2011===
===May 2011===
<gallery>
<gallery>
File:413.jpg|From Asahi Evening (朝日夕刊) newspaper.  Seems to be a column deciphering some story-points.  It talks about the girls contracting and then being forced to fight witches and the hidden magical girls equals witches rule. With this as the focal point in the last part of the story it gets its sci-fi twist.  There is also something about galges being an influence.  It also talks about the character growth. Madoka's mum leaving a strong impression as a working mother and with her rough speech, coming into confrontation with Madoka in ep 11. It relates to episode 1 where her mom choose the ribbons for her, but now she chooses her path for herself. That's also in relation to the episode 3 talk about her mom's lifestyle choice/dream and how she gets satisfaction out of that.  There is also a mention of magic star magical emi having a similar theme?  Different summary from symbv from evageeks.forum: Besides the introduction of what PMMM is about, the author (who was billed as an anime critic) presented the following insights: *PMMM saw quite a lot of influence from gal game and he believes an "orthodox" interpretation of the anime should be taken from the perspectives of gal game and sci-fi. *One important ingredient of enjoying the anime, in his view, is the undercurrent of the character development of the protagonist Madoka. And he believes the key to it is Madoka's mother who left a strong impression even though she made only infrequent appearances. *He compared the Madoka in Ep.11 when she would reply to a worrying mother's words with a determination about thing that she had to do and wanted to do, and the Madoka in Ep.1 when she would meekly (but happily) accepted her mother's advice of wearing a ribbon to school. *He then picked up Madoka's mother words in Ep.3 "living life not to make your dream the goal but to turn this way of living life into your dream", and commented that this was clearly understood by Madoka then. This led to the actions she managed to do in Ep.12. *He believes PMMM could be viewed as an orthodox coming-of-age story. Here Madoka got to understand how her beloved mother lived her life and at the end through this Madoka made the decision of how she wanted to live her life. He also saw similarity of PMMM to the 1985 mahou shoujo anime "Magical Emi, the Magic Star" in its theme of dealing with growing up.
File:413.jpg|'''Moved to Newspaper page''' From Asahi Evening (朝日夕刊) newspaper.  Seems to be a column deciphering some story-points.  It talks about the girls contracting and then being forced to fight witches and the hidden magical girls equals witches rule. With this as the focal point in the last part of the story it gets its sci-fi twist.  There is also something about galges being an influence.  It also talks about the character growth. Madoka's mum leaving a strong impression as a working mother and with her rough speech, coming into confrontation with Madoka in ep 11. It relates to episode 1 where her mom choose the ribbons for her, but now she chooses her path for herself. That's also in relation to the episode 3 talk about her mom's lifestyle choice/dream and how she gets satisfaction out of that.  There is also a mention of magic star magical emi having a similar theme?  Different summary from symbv from evageeks.forum: Besides the introduction of what PMMM is about, the author (who was billed as an anime critic) presented the following insights: *PMMM saw quite a lot of influence from gal game and he believes an "orthodox" interpretation of the anime should be taken from the perspectives of gal game and sci-fi. *One important ingredient of enjoying the anime, in his view, is the undercurrent of the character development of the protagonist Madoka. And he believes the key to it is Madoka's mother who left a strong impression even though she made only infrequent appearances. *He compared the Madoka in Ep.11 when she would reply to a worrying mother's words with a determination about thing that she had to do and wanted to do, and the Madoka in Ep.1 when she would meekly (but happily) accepted her mother's advice of wearing a ribbon to school. *He then picked up Madoka's mother words in Ep.3 "living life not to make your dream the goal but to turn this way of living life into your dream", and commented that this was clearly understood by Madoka then. This led to the actions she managed to do in Ep.12. *He believes PMMM could be viewed as an orthodox coming-of-age story. Here Madoka got to understand how her beloved mother lived her life and at the end through this Madoka made the decision of how she wanted to live her life. He also saw similarity of PMMM to the 1985 mahou shoujo anime "Magical Emi, the Magic Star" in its theme of dealing with growing up.
File:411.jpg|Source: Animedia, June. '''Replaced by seiyuu report.'''  Manga is about Yuuki Aoi (Madoka seiyuu) and Kitamura Eri (Sayaka seiyuu) doing the recording for the scene in Ep.12 when Sayaka finally let go of Kyousuke.  KitaEri delivered her words very grudgingly and alarmed Yuuki Aoi.  Madoka and Sayaka are wearing the seiyuu's clothing.
File:411.jpg|Source: Animedia, June. '''Replaced by seiyuu report.'''  Manga is about Yuuki Aoi (Madoka seiyuu) and Kitamura Eri (Sayaka seiyuu) doing the recording for the scene in Ep.12 when Sayaka finally let go of Kyousuke.  KitaEri delivered her words very grudgingly and alarmed Yuuki Aoi.  Madoka and Sayaka are wearing the seiyuu's clothing.
File:409.jpg|Source: Animedia, June. '''Moved to that page.''' Q: Homura looping over and over, the life of magical girls tending towards death and despair, how did this change according to Madoka’s wish?  Due to the existence of witches being erased from this world the reason for Mami’s and Kyouko’s death, who got killed by witches, also disappeared; surviving they exist and fight the demons. Sayaka herself becomes a witch instead, as a result of fighting the demons she ceases to exist.  Probably there in the other timeline everyone fought Sayaka who became a witch. In the world after the change it becomes a seemingly different development, the four fight the alternate demons and stop them by the means of Sayaka’s sacrifice.  I also talked with director Akiyuki Shinbo a fair bit about that nicety. In the end one’s own self doesn’t fade away despairing, but because it fades away using up this power--the converting into a witch is also a different thing.  I think, to save the city and helping someone pervaded Sayaka’s wish.  If you think so even though Sayaka ceased to exist it might have been blissful, right?  Mami, Kyouko and Homura will have the same fate. So Madoka comes for them and takes them along to a different universe. Her one brisk turn, Sayaka...
File:409.jpg|Source: Animedia, June. '''Moved to that page.''' Q: Homura looping over and over, the life of magical girls tending towards death and despair, how did this change according to Madoka’s wish?  Due to the existence of witches being erased from this world the reason for Mami’s and Kyouko’s death, who got killed by witches, also disappeared; surviving they exist and fight the demons. Sayaka herself becomes a witch instead, as a result of fighting the demons she ceases to exist.  Probably there in the other timeline everyone fought Sayaka who became a witch. In the world after the change it becomes a seemingly different development, the four fight the alternate demons and stop them by the means of Sayaka’s sacrifice.  I also talked with director Akiyuki Shinbo a fair bit about that nicety. In the end one’s own self doesn’t fade away despairing, but because it fades away using up this power--the converting into a witch is also a different thing.  I think, to save the city and helping someone pervaded Sayaka’s wish.  If you think so even though Sayaka ceased to exist it might have been blissful, right?  Mami, Kyouko and Homura will have the same fate. So Madoka comes for them and takes them along to a different universe. Her one brisk turn, Sayaka...

Latest revision as of 23:35, 16 July 2011

This discussion page is archived. Please do not edit.

Gallery

December 2010

Better scans are available for Madoka's questionnaire. Moved Fakes into its own page. This section can now be deleted. --randomanon 23:01, 21 June 2011 (UTC)

100 Questions Page contains translations.

February 2011

March 2011

April 2011

May 2011

Post-earthquake tweets

Not sure if relevant, but still interresting ...

note:otokomatsuri1=Yukihiro Miyamoto (series director of Madoka Magica) butch_gen=you should be able to find by yourself ... (snip) --Homerun-chan 19:28, 11 March 2011 (UTC)

Given it's relative popularity on Twitter, this section has been moved to the actual page. Feel free to remove it if you find it out of place. --Homerun-chan 19:35, 12 March 2011 (UTC)
Changed my mind, it really is out of place. Left it in comments just in case. --Homerun-chan 19:41, 12 March 2011 (UTC)
I've reorganized the page a bit, it should be more fitting now. --0x99 07:35, 15 March 2011 (UTC)